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I'm always pleased to hear that someone has enjoyed my work, Matt-- especially Killraven because I was very happy with the way the story and art worked out and obviously disappointed the series wasn't better received in the US. The fact the mini-series didn't sell renders any talk about a sequel (an...

Matt I had collected Killraven from the first issue. I was grabbed by those first few Neal Adams pages that promised so much-- and was hugely disappointed when it degenerated into a comic with a 'character in search of a genre'. I stuck with the title in the hope the stories would get better and bec...

Jim The Majority of the unpublished pencils I have posted on my site were done for fun. Working in mainstream comics has its frustrations. A great deal of the art (and writing) can become repititious and some times uninspiring. I think it is important to remember why I got into comics in the first p...

Nimbus I'm afraid I have a fairly standard answer to the first question BUT that doesn't make it any less true. To make any character work a creator needs to find something in the character that they like-- or else they shouldn't be writing or drawing the character. That doesn't mean I don't have pr...

Thank you, Curly', Atekman and Diablo.

It's always nice to hear that my work is appreciated.

Alan

Hi Jaxel Most times I cringe and wonder how I could have got things so wrong. But, having said that, the aspect of comics that keeps me interested is the pursuit of trying to get 'it' right-- IF I ever managed to do work that I was truly happy with there would be no point continuing. The challenge i...

Raj

I haven't any plans to draw sketch cards or trading cards at the moment-- And, as I've said in regard to commissions, I prefer to work on stories and storytelling art rather than single images.

Alan